Twenty-seven - Volteface

I spot the silver hardcover with its blue title on the spine. It’s in a pile of new books, another book retelling the history of the Spartans, another on Greek civilisation, several others about new age thought on synchronicity, and still more by Solzhenitsyn which I had picked up at a second hand book store. And still, the silver hardcover stood tall amongst the other books that I knew would also be a prized read. And yet the silver book still stood out because it provided a challenge…

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Darran Jordan
Twenty - The Burial - A Play for Radio

Exterior shot. Funeral procession walking down road. The camera focuses on feet walking in slow motion. The shoes are all black, the ground is dusty and clouds of dirt rise as they walk. The shot is overlaid briefly with the sight and sound of static. Colour seems drained from the scene, it is mostly made up of shades of black, white, and grey with occasional tinges of blue…

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Darran Jordan
Nineteen - Ape Man in the House of Usher

He skidded to a halt before the waterfront to see hundreds of planes buzzing above like some angry hive of insects, the droning noise of their engines a fierce hum in the air that accompanied the brutal explosions erupting from the bombs they dropped upon the vessels beneath them. Battleships and aircraft carriers rolled in the red waves, their decks breaking apart with fire, their hulls cracking like eggshells as the crews aboard raced back and forth, looking for a way to defend themselves, looking for a way to escape, looking in vain. There were bodies in the water, a raging sea already red with blood…

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Darran Jordan